In 1964, Richard Avedon published “Nothing Personal,” a lavish coffee table book with gravure-printed portraits of individuals who do not fit into any single classification: Allen Ginsberg standing naked in a Buddhist pose opposite George Lincoln Rockwell, the founder of the American Nazi Party the puffy-eyed Dorothy Parker, her bags containing a lifetime of tears, side by side with a sullen and deflated, if still-shimmering, Marilyn Monroe a young and earnest Julian Bond among members of the Student Nonviolent Coordinating Committee and the grizzled William Casby, who had been born into slavery about 100 years earlier.
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